Skip to content

Tag Archives: Yao Dajuin

Lu Yang Hell

Published on ArtSlant. Text by Robin Peckham. Lu Yang Hell Art Labor 2.0 570 Yongjia Lu, Bldg. 4, Shanghai, P.R. China 23 October – 17 November Lu Yang is that rare figure able to cross seamlessly between the various genres and categories of contemporary culture that, far more so than elsewhere, have come to separate [...]

Popular Music in Contemporary Art, or, adolescents groping in the dark

First published in Randian. Text by Robin Peckham. During a recent debate over sound art that seemed to grip several quarters of the Hong Kong art world for the better part of the summer of 2010, one of the recurring topics of discussion was the relationship between art and music. Dominated by figures emerging from [...]

Resonance: A Conversation

The following interview was carried out by Robin Peckham and Jessica Lam with Samson Young, Yao Chung-Han, and Rachel Connelly. It was translated and edited by Robin Peckham and then Ceci Moss before publication on Rhizome.org. Introduction The exhibition Resonance was initiated in early 2010 as an experiment in the conceptual underpinnings and practical manifestations [...]

From ‘Resonant Forms’ to ‘Resonance’

“Resonant if Unsound: Concept, Style, Execution” First published in Hong Kong Gallery Guide. This text describes a general critical framework. Text by Robin Peckham, with thanks to Venus Lau and Rachel Connelly. Marcel Duchamp inaugurated one of the manifold lineages of experimental art in the twentieth century with a push towards what he termed “non-retinal [...]

Remix and Share

Text by Robin Peckham Inter Art, a deservedly obscure photography space on the south side of 798 in Beijing, recently hosted the exhibition Remix and Share, organized by Creative Commons China and the web portal Artintern. The issue of copyright and open systems for alternative licensing is not an altogether immaterial one within the Chinese [...]