The following interview was carried out by Robin Peckham and Jessica Lam with Samson Young, Yao Chung-Han, and Rachel Connelly. It was translated and edited by Robin Peckham and then Ceci Moss before publication on Rhizome.org. Introduction The exhibition Resonance was initiated in early 2010 as an experiment in the conceptual underpinnings and practical manifestations [...]
Filed in Criticism
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Also tagged Alva Noto, Chan Ming-Fang, Chang Yung-Ta, György Ligeti, Huang Chung-Ying, Input/Output, John Cage, Lin Chi-wei, Marcel Duchamp, Samson Young, Seth Kim-Cohen, Tseng Wei-Hao, Wang Chung Kun, Wang Fujui, William Lane, Wu Chi-tsung, Yan Jun, Yao Chung-Han, Yao Dajuin, Yeh Ting-Hao, Zhou Risheng
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“Resonant if Unsound: Concept, Style, Execution” First published in Hong Kong Gallery Guide. This text describes a general critical framework. Text by Robin Peckham, with thanks to Venus Lau and Rachel Connelly. Marcel Duchamp inaugurated one of the manifold lineages of experimental art in the twentieth century with a push towards what he termed “non-retinal [...]
Filed in Criticism
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Also tagged Adrian Wong, Ai Weiwei, Brosi Groys, Bruce Nauman, Cedric Maridet, Derek JArman, György Ligeti, John Cage, Kazimir Malevich, Marcel Duchamp, Samson Young, Seth Kim-Cohen, Stephen Vitiello, Vito Acconci, Yan Jun, Yang Yeung, Yao Chung-Han, Yao Dajuin
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Text by Venus Lau First published in the Beijinger magazine. More so than most of the world’s living creatures, human beings rely heavily on vision, a perception that fosters itself in art with intoxicatingly bright colors and eye-catching images on canvas and in sculpture, allowing the equation of art and visual art. This assessment is [...]